In what can only be described as a film-play, where a set space is
occupied at length by the characters, What Happened Was... Creates more drama
about the contemporary cultural pulse than any I have seen, let alone
attempted,
The genius of the film is that its ambition is so covert. We see a
casual dinner, auspiciously a date, in an early 90's Manhattan apartment. The
woman is fit and decently attractive (I would do her), while her invited
guest-of-honor is for all intents and purposes a slouch. Most people would
judge that she is out of his league.
The idiosyncrasies of both draw themselves out, as they talk about
their other co-occupied space: work. Slowly, however, as conversation
boilerplate cools, their inner personalities begin peaking out of the daily
masquerade. Co-workers when the night begins become confidants.
Both are aspiring writers. This is seen punctuated brilliantly to
suggest to the audience that we all want to be somewhere else, doing something
else. Or at least, isn't that what should be on our minds?
The woman is most earnestly attracted to this perceived ambition
by her date, and falls for his publisher sales pitch about his novel which he
expects will get him fired, but will give him the privilege to turn down
Letterman.
The film quickly turns cerebral when both reach the end of their
line, admitting their deepest vulnerabilities about a world which has no life
in it, one which makes them feel death looming in both of their solitude.
No doubt this film will be taken as discomforting to social
butterflies, as well as banal to those searching for a barrage of cinematic
colors. Yet it is a powerful indictment on the consequences of not living a
life according to plan.
We all can't live happily ever after. And that is a truth no one
can accept.
Grade: A-
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